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Legendary Painter Pat Steir Gets Global Representation With Hauser & Wirth –

By on September 15, 2022 0

Pat Steir, the artist behind giant abstractions made up of beautiful streaks of paint, has officially joined Hauser & Wirth, one of the world’s leading galleries. Her first show with Hauser & Wirth will take place in New York in November.

The performance, which was first rumored to be in Artnet News“Wet paint” column of last month will be global, meaning Hauser & Wirth will be able to show Steir’s art in its 16 galleries, in cities including New York, London, Los Angeles, Hong Kong and Zurich. Her show in New York this fall will be titled “Blue River and Rainbow Waterfalls,” hinting that it will further her longstanding interest in nature.

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Now 82, Steir has gone through different stages of her career that have coincided with varying degrees of fame. Currently, she is arguably receiving more attention than she has ever received before, with big sales of her work and even bigger museum exhibitions.

Throughout his career, Steir influenced several generations of painters. His work offered key examples of how abstraction and conceptualism can co-exist.

Marc Payot, President and CEO of Hauser & Wirth, said in an interview that she is a “key painter of her generation who has not received the attention she deserves, not in terms of the market – its market has developed substantially in recent years, but within the framework of a retrospective.

He added: “Emerging from minimalism and conceptualism, Pat has created a visual language of his own, a new abstraction that encompasses anima and chance, which integrates poetry and philosophy into a practice that also encompasses writing, performance and mentorship. She is both a living legend and a contemporary innovator.

Steir was previously represented by Lévy Gorvy, a gallery that recently merged with Salon 94. Together with Amalia Dayan, they formed LGDR. LGDR initially said it was not primarily focused on representing artists, so Steir opted out of that gallery, according to Payot. Steir will, however, continue to maintain relationships with galleries that have long exhibited his work, including Locks in Philadelphia, Baldwin in Aspen, and Thomas Schulte in Berlin.

Pat Steir, Sixteen waterfalls of dreams, memories and feelings1990.

©Pat Steir/The Metropolitan Museum of Art. Kathryn E. Hurd Fund, by exchange, 2009

While his paintings can often appear as mere gestural abstractions, they are guided by predetermined sets of rules and a willingness to cede power to chance.

His famous “Waterfall” series, started in 1988, involves climbing a large ladder and pouring paint from above, allowing him to descend of his own volition. “Gravity becomes my collaborator,” she said ART news in 2012.

Less known, but no less significant, are his early works of the 1970s, which made predominant use of text and were inspired by Buddhist philosophy. At this time, she also became involved in the feminist journal Heresies and Semiotext(e)who is known for publishing compelling essays of critical theory.

In recent years, the Steir market has grown considerably. Between 2017 and 2018 alone, his auction record was set several times. It now stands at over $2 million, a relatively high figure for a living female artist.

Steir has not been the subject of much museum inquiry in the United States over the past decade, although she did hold a major exhibition of new paintings at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. in 2019 Last year, the Long Museum, a private museum in Shanghai run by ART news Top 200 collectors Liu Yiqian and Wang Wei gave Steir its first show in China.

Payot alluded to ambitions to change this lack of a major retrospective, saying, “We’d love to see it get institutional exposure in the years to come, and that’s where Hauser & Wirth can make a difference.”